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DISCOGRAFIA ATAHUALPA YUPANQUI
Discover the Richness and Diversity of Atahualpa Yupanqui's Discography: A Review of His Albums and Songs
If you are a fan of Argentine folk music, you have probably heard of Atahualpa Yupanqui, the most influential and respected singer, songwriter, guitarist, and writer of the genre. Born in 1908 as Héctor Roberto Chavero Aramburú, he adopted the pseudonym Atahualpa Yupanqui, which means "He who comes from faraway lands to say something" in Quechua, the language of the Incas.
DISCOGRAFIA ATAHUALPA YUPANQUI
Atahualpa Yupanqui was not only a musician, but also a philosopher, a poet, a historian, and a social activist. He traveled extensively throughout Latin America, Europe, and Asia, collecting folk songs and stories from different cultures and traditions. He also wrote books and essays on topics such as indigenous rights, ecology, spirituality, and politics. He was a friend and collaborator of Pablo Neruda, Jorge Luis Borges, Mercedes Sosa, and many other prominent figures of the 20th century.
But his greatest legacy is his discography, which spans more than 40 albums and hundreds of songs. His discography reflects his deep knowledge and love for the music of his homeland and the rest of the continent. He sang about the beauty and the pain of the land and its people, the struggles and the hopes of the oppressed and the marginalized, the wisdom and the mystery of the ancient civilizations and their myths. He also experimented with different musical styles and instruments, such as tango, milonga, zamba, chacarera, bombo legüero, charango, quena, and sikus.
In this article, we will review some of his most important albums and songs, highlighting their significance and impact on the history and culture of Argentina and Latin America.
Una Voz y Una Guitarra (1953)
This was Atahualpa Yupanqui's first album recorded for Odeon Records in Argentina. It features 12 songs performed by him with his guitar only. The album showcases his mastery of the instrument and his distinctive voice. Some of the songs included are "El Arriero", "Los Ejes de Mi Carreta", "La Alabanza", "La Pura Verdad", "Luna Tucumana", and "Zamba del Grillo". These songs are considered classics of Argentine folk music and have been covered by many artists over the years.
Camino del Indio (1955)
This album was recorded in Paris during Atahualpa Yupanqui's first European tour. It contains 10 songs that explore the themes of indigenous identity, resistance, and dignity. The title track "Camino del Indio" is a tribute to the native peoples of America who have endured centuries of colonization and exploitation. Other songs are "El Payador Perseguido", "Los Hermanos", "El Alazán", "La Colorada", "Duerme Negrito", "La Añera", "El Cóndor Pasa", "La Flor Azul", and "Chacarera de las Piedras". The album was well received by critics and audiences in France and other countries.
Guitarra... Dimelo Tu (1957)
This album was recorded in Uruguay for Antar Records. It features 12 instrumental pieces composed by Atahualpa Yupanqui for solo guitar. The album demonstrates his virtuosity and creativity as a guitarist and composer. He blends elements of classical music with folk rhythms and melodies. Some of the pieces are "Milonga del Solitario", "Danza de la Paloma Enamorada", "Huajra", "Gato", "Aire de Vidala", "Milonga del Peón de Campo", "Piedra y Camino", "Zamba de Vargas", "Vidala del Nombrador", "Chacarera de Nuestro Adiós", "Milonga del Solterón", and "Zamba del Carro". The album is considered one of his best works as an instrumentalist.
A Qué Le Llaman Distancia - Canto y Guitarra Vol. Nº 8 (1960)
This album was recorded in Buenos Aires for Odeon Records. It features 12 songs that express Atahualpa Yupanqui's poetic vision and social critique. The title track "A Qué Le Llaman Distancia" is a reflection on the meaning of distance and time in human relationships. Other songs are "La Pampa Es La Lejana", "El Aromo", "La Finadita", "El Cachilo Dormido", "La Olvidada", "La Arenosa", "El Tiempo del Hombre", "La Copla", "La Vuelta del Malón", "El Puestero de la Laguna", and "La Nochera". The album is considered one of his most mature and profound works.
Atahualpa Yupanqui en el Olympia (1967)
This album was recorded live at the Olympia Theatre in Paris during Atahualpa Yupanqui's second European tour. It contains 14 songs that showcase his charisma and popularity among the French audience. The album includes some of his most famous songs, such as "Los Ejes de Mi Carreta", "Luna Tucumana", "Zamba del Grillo", "Los Hermanos", "Duerme Negrito", "El Alazán", and "Piedra y Camino". The album also features some instrumental pieces, such as "Milonga del Solitario", "Danza de la Paloma Enamorada", and "Huajra". The album is a testimony of his international recognition and success.
Atahualpa Yupanqui y Su Guitarra (1976)
This album was recorded in Madrid for Movieplay Records. It features 12 songs that represent Atahualpa Yupanqui's musical diversity and versatility. The album includes songs from different regions and genres of Argentina, such as zamba, chacarera, vidala, milonga, gato, cueca, and bailecito. Some of the songs are "Zamba de los Mineros", "Chacarera de las Piedras", "Vidala del Nombrador", "Milonga del Peón de Campo", "Gato de la Fiesta", "Cueca de la Viña Nueva", and "Bailecito de Procesión". The album is a demonstration of his respect and admiration for the folk traditions of his country.
Atahualpa Yupanqui en el Olympia (1967)
This album was recorded live at the Olympia Theatre in Paris during Atahualpa Yupanqui's second European tour. It contains 14 songs that showcase his charisma and popularity among the French audience. The album includes some of his most famous songs, such as "Los Ejes de Mi Carreta", "Luna Tucumana", "Zamba del Grillo", "Los Hermanos", "Duerme Negrito", "El Alazán", and "Piedra y Camino". The album also features some instrumental pieces, such as "Milonga del Solitario", "Danza de la Paloma Enamorada", and "Huajra". The album is a testimony of his international recognition and success.
Atahualpa Yupanqui y Su Guitarra (1976)
This album was recorded in Madrid for Movieplay Records. It features 12 songs that represent Atahualpa Yupanqui's musical diversity and versatility. The album includes songs from different regions and genres of Argentina, such as zamba, chacarera, vidala, milonga, gato, cueca, and bailecito. Some of the songs are "Zamba de los Mineros", "Chacarera de las Piedras", "Vidala del Nombrador", "Milonga del Peón de Campo", "Gato de la Fiesta", "Cueca de la Viña Nueva", and "Bailecito de Procesión". The album is a demonstration of his respect and admiration for the folk traditions of his country.
El Canto del Viento (1989)
This album was recorded in Buenos Aires for Microfón Records. It features 10 songs that reflect Atahualpa Yupanqui's spiritual and ecological concerns. The title track "El Canto del Viento" is a homage to the wind as a symbol of life and freedom. Other songs are "La Pachamama", "El Arbol Que Tu Olvidaste", "La Flor Azul", "La Copla", "El Tiempo del Hombre", "La Arenosa", "La Nochera", "La Vuelta del Malón", and "El Puestero de la Laguna". The album is one of his last recordings before his death in 1992.
El Canto del Viento (1989)
This album was recorded in Buenos Aires for Microfón Records. It features 10 songs that reflect Atahualpa Yupanqui's spiritual and ecological concerns. The title track "El Canto del Viento" is a homage to the wind as a symbol of life and freedom. Other songs are "La Pachamama", "El Arbol Que Tu Olvidaste", "La Flor Azul", "La Copla", "El Tiempo del Hombre", "La Arenosa", "La Nochera", "La Vuelta del Malón", and "El Puestero de la Laguna". The album is one of his last recordings before his death in 1992.
Atahualpa Yupanqui: Obra Integral (1995)
This album is a compilation of 20 CDs that contains the complete works of Atahualpa Yupanqui. It includes all his albums, singles, collaborations, and unreleased recordings. It also features a booklet with biographical information, photos, lyrics, and notes. The album is a tribute to his artistic legacy and a valuable resource for his fans and scholars.
Atahualpa Yupanqui: Antología (2004)
This album is a collection of 40 songs that represent the best of Atahualpa Yupanqui's discography. It covers his career from 1936 to 1989, featuring songs from different labels, countries, and periods. The album includes some of his most popular and influential songs, such as "Los Ejes de Mi Carreta", "Luna Tucumana", "Zamba del Grillo", "Los Hermanos", "Duerme Negrito", "El Alazán", "Piedra y Camino", "Camino del Indio", "A Qué Le Llaman Distancia", and "El Canto del Viento". The album is a great introduction to his music and a celebration of his talent.
Conclusion
Atahualpa Yupanqui was a remarkable musician and writer who left a lasting mark on the history and culture of Argentina and Latin America. His discography is a rich and diverse collection of songs that express his poetic vision, his social critique, his musical innovation, and his cultural appreciation. His discography is also a testimony of his personal journey, his travels, his encounters, his struggles, and his achievements. His discography is a treasure trove of folk music history and culture that deserves to be discovered and enjoyed by generations to come. d282676c82
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